Manifesto

Contested Terrains at Tate Modern

2011-08-23T16:15:00.000-07:00

The exhibition Contested Terrains features four artists; Kader Attia,Sammy Baloji, Michael MacGarry and Adolphus Opara. Four artists all working in present day Africa.

Their work engages with ideas of history and identity, that in Africa,have long been shaped by the claims and disputes of conflicting ideological and economic interests.

Sammy Baloji uses photography to explore the histories, present day realities and contradictions inherent in the formation of his homeland, the Democratic Republic of Congo.In his photomontages , he superimposes archival images of European officials and Congolese labourers (who built the mine's once imposing industrial sites ) onto contemporary photographs that highlight their current state of decline and ruin The remnants and realities of industrialisation and global trade.

These artists reveal that history is more than a straightforward succession of events and that the present remains contested terrain.

Elise Godsell

Contested Terrains
Tate Modern
London.
Until 16 October 2011

Not to be missed.

Manifesto: a means of expression

La Biennale di Venezia ; Illuminations

2011-08-16T15:20:00.000-07:00

Since the establishment of the Biennale in Venice, at the end of theeighteenth century,as far as the 54 nations of Africa are concerned,Egypt is the only country to have maintained a national pavilion.Unfortunately, Africa and African artists have been unrepresented. As a result, it has been easy to dismiss the continent ,which is forever seemingly reaching out to receive food and money . Africa appears unconnected to the tide of the contemporary art world, but this is set to change.

The theme of this years Venice Biennale; Illuminations, sparks debate to sharpen our tools of perception and for all nations to question their geography and space that they occupy now and in the future "Seeing Ourselves" presented at the Zimbabwe Pavilion, presents a window into the life of that nation, through the eyes of four selected artists.

Zimbabwe's image has shifted away from being the beautiful and desirable house of stone - a nationally significant material, on which its reputation and very soul had been proudly built. Instead it's perception has undergone a radical shift and the country is seen as not so desirable and not so beautiful.

Misheck Masamvu an emerging young painter, is willing to move beyond the immediately commercial ,as seen in his Gentleman's Hustle.2011. He remarked 'I wish to produce a body of work pregnant of optimism and hope. I wish to stimulate positive energy and bring to attention the need to create new emblems and motifs that encourages dialogue. I desire to find alternative solutions to the sometimes dire circumstances we come across '.

Visit Venice and see for yourself !

Elise Godsell

Illuminazioni
La Biennale di Venezia
Until 27 November 2011

Manifesto:a means of expression

Manifesto presents Simo Lagnawi

2011-08-02T07:56:00.000-07:00

We are pleased to announce that our first night after 1 year was one of the best nights to date. There was an amazing vibe within the authentic African setting.

We are pleased to announce we are starting a new journey in a new place in Soho. Gerrard House will be the new ‘home’ of Manifesto, in a more warm, relaxed and familiar environment.

The band invited to perform and which is now part of Manifesto’s portfolio, is Simo Lagnawi. Simo is a charismatic dancer and player of the Guembri - a lute-like stringed instrument made from camel skin - while his mesmeric voice harks back to the original use of Gnawa in rousing people into a 'cleansing' trance. In the short three years the boundary-pushing Gnawa master Simo has been in the U.K he has already played in different venues including Leighton House and most recently Glastonbury Festival keeping an exceptional African tradition alive.

This will be a culturally rich night out that should appeal to anyone looking to experience one of the most intimist forms of music in the world. Joining them will be resident DJ’s spinning music from a variety of African genres. Alberto Tavares opens the evening with his mellow eclectic mix on the decks. Later in the evening Manifesto has invited the renowned producer and DJ Simbad. Constantly travelling between London, Tokyo or New York via Puerto Rico & other places , he has worked with some great artists including Tony Allen & Bugz In The Attic or Talvin Singh to name a few…Dj Simbad will hit the turntables with his inimitable, sassy, and sexy spin on dance African style.

Moreover, there will be a specially designed African inspired menu created exclusively for the Manifesto Acoustic evening. The menu consists of traditional Chicken stew from Angola (Xinxin) and Masamba from Mozambique.

Manifesto Acoustic is a concept whereby live music, afro-beats, DJ sessions and traditional food intertwine. Manifesto team look forward to seeing you.

30 July 2011

9 – 2am Gerrard House

40 Gerrard Street,

Soho, W1D 5QE

Tube: Leicester Square or Piccadilly

Admission: £5

Manifesto: a means of expression.

Figures and Fictions, South African Photography

2011-05-03T17:30:00.000-07:00

Figures & Fictions; Contemporary South African Photography is the first UK exhibition of South African photography undertaken during the last ten years.

Under National Party rule (1948-94) and the implementation of Apartheid, photography was used by the State to manage racial classification. But it also served to document resistance and record the lives of those subjected to racial laws and social segregation.

This vibrant work of 17 South African photographers address that history. Through their images they challenge the country's rethinking of issues of identity across race, gender, class and politics.

All the photographers question what it is to be human at this time in South Africa.

Go see !
Figures & Fictions; Contemporary South African Photography showing at the V & A London until 17 July.

Elise Godsell

Manifesto: a means of expression

Basketry; Making Human Nature

2011-02-15T07:49:00.001-08:00

Basketry is something everybody understands; It is a marriage of practicality and beauty.

Basketry; Making Human Nature is a new stunning exhibition showcasing both anthropology and visual art. Its techniques and materials are vividly illustrated by both beautiful world objects and contemporary art.

In Central Africa close communication with the dead and beliefs in the effectiveness of their powers, are mediated by healers, diviners and banganga (ritual specialists ).Banganga use containers, including baskets, filled with spiritually charged materials for divination purposes.

These baskets become so potent that they are themselves often contained in places of secrecy.Basketry costumes appear in masquerades in which a masked figure impersonates a spirit, ancestor or some other ideal entity. Masks have a life of their own, acting as a second skin which subsumes the identity of the performer.

This mask is from Salampasu, Democratic Republic of Congo 1951.

The exhibition is at the Sainsbury Center for Visual Arts, University of East Anglia, Norwich until 22 May 2011.

Elise Godsell.

Not to be missed.

Manifesto: a means of expression

Fela Anikulapo Kuti, Musical

2010-12-28T08:04:00.000-08:00

The musical Fela! based on the life of Fela Anikulapo- Kuti, is currently playing at London's National Theatre.

It may be two hours long, but with a mix of tight choreography from Bill T Jones and a 12 piece band belting out Afro Beat; a blend of funk jazz and traditional West African drumming, you are soon transported to 'The Shrine' in Lagos, summer of 1978.

Fela, who called himself Adami Edo (Strange One) was a musician who was both political activist and a gifted composer. A showman to the last, he lived life full to the full.

Hopefully this show will bring Fela's life and music to a wider audience.

Elise Godsell.

Not to be missed,

Manifesto: a means of expression

Theatre, ultimatum:ultimato-te

2010-12-21T08:07:00.000-08:00

u:u – King in check !

December 1884, 126 years ago in the heart of Europe, distinguished politicians and diplomats of the most civilized countries (sic) met to perform one of the greatest acts of Cartesian Geometry applied to Geography that the world has ever seen.

Equipped with a ruler and set-square, these "experts" in African matters drew up imaginary lines of non-existent countries, in the disputed share of a ‘black-delicacy’ with which they would satiate industry’s greedy hunger for resources, and rescue an economy in steep decline.

Justified by the need of progress, and by the philanthropic deed of taking civilisation to the fragile tribal communities of Africa, this action undertaken with the involvement of several African kings (still a controversial fact nowadays, with mixed scholar views), proved to be too sugary for the teeth of all these gentlemen.

What goes around comes around, and this bittersweet gathering which became known as the Scramble for Africa, was one of the reasons that triggered World War I and gave rise to an indigestible rose candy between Portugal and England, in 1890.

This play puts in context a part of history that is unknown to many people. Being part of a western Capitalistic, "well designed society" where the flow of information is constructed and the education poor, people forget to ask pertinent question such as why Africa is divided by straight lines.

Hence this play is an opportunity to introduce a part of history that is supposed to be given more attention since it would provide a useful source of information and it would explain many political decisions taken upon Africa.

Ultimatum:Ultimato-te was presented in Cape Verde and in England, and it will sail further in 2011.

www.10pt.org/ultimatum

Links. www.10pt.org www.facebook.com/pages/10pt-Associacao-Artistica-Cultural-Lusofona/127564653954040 www.facebook.com/pages/UU/171646969524574

Manifesto: a means of expression

Album: Do Misiani and Shirati Jazz

2010-10-19T06:18:00.000-07:00

Daniel Owino Misiani, more than any other Kenyan musician, has helped to develop and advance the modern guitar dance music of the Luo people known as "Benga."The King of History" is an intoxicating amalgam of sounds and songs of the 1970s.

The lyrics apparently warn of imminent social upheaval and political change delivered by means of a sweet vocal harmonies, jangling electric guitars and pounding bass beat that characterize "Benga"

Not to be missed.

Manifesto: a means of expression

The Akan Drum

2010-09-28T06:43:00.000-07:00

The British Museum currently have a unique display which centers around the Akan Drum.This drum is the oldest African-American object in the museum and was brought from West Africa to the colony of Virginia, as part of the slave trade around 1735. It was acquired by Sir Hans Sloane whose collection formed the basis of the British Museum, when it was established in 1753.

The first part of the display describes the journey of the drum from West Africa, to the colony of Virginia and in doing so relates to the suffering and displacement of people ,as a result of the transatlantic slave trade.

This journey would typically include the practice of'dancing' the slaves, which meant in effect, forcible exercise out on deck when the drum would be used.

The second part of the display shows the massive influence of African and African- American music, on most popular music from the 20th century.

Visitors who take smart phones to this exhibition will be able to download the soundtrack to the display.

Elise Godsell

Manifesto:a means of expression.

Urban Africa; David Adjaye

2010-04-06T10:40:00.000-07:00

The London based architect David Adjaye ( born in Tanzania) has amassed over 3,000 picture postcard size 'snaps' of his foray into Africa.
Most document various styles of urban buildings ( well he is an architect, after all), but I am not too sure what he is trying to achive in this exhibition.

It is well neigh impossible to document a vast continent such as Africa, through the windows of a taxi !. Where are the limits and how come he has missed Lagos, home to 18 million people?

They say a picture speaks a thousand words, but maybe quality would be preferable to quantity.

You decide !

Design Museum, London until 5 of September.

Elise Godsell

Manifesto: a means of expression

Kingdom of Ife; Sculptures from West Africa.

2010-03-30T10:55:00.000-07:00

Kingdom of Ife; Sculptures from West Africa. Currently on show at the British Museum, London.

Ife (pronounced Ee-fah) is located in Southwest Nigeria and is regarded as the spiritual heartland of the local Yoruba speaking people. Yoruba are Nigeria's largest ethnic group and their myths celebrate Ife as the center of the creation of the world and all mankind.

These refined brass and copper sculptures, made using the lost wax process, were found adjacent to the Royal Place in 1938. They are now acknowledged, as some of the most refined and beautiful sculptures to be found in Africa.

A hundred or so pieces in this, not to be missed exhibition, shows that Africa civilization, was as sophisticated , as anything in the west during the 13/15th centuries.

This must see exhibition, will surely challenge people's assumption about the nature of Art coming from Africa. Enjoy !

Elise Godsell

Manifesto: a means of expression

AIM (Arts in Marrakesh) Biennale

2010-02-02T13:21:00.000-08:00

The AIM (Arts in Marrakesh ) Biennale November 09, kicked off with Isaac Julien's multi screen installation, Western Union; Small Boats. Thousands of Africans hope for a better life, trying to escape bad economic and human rights conditions.

They make the perilous departure from N. Africa across the Med to the coast of Sicily, in small boats, often drifting for days on end. In the film they end up at the seaside village of Agrigento, where local families sunbathe whilst the 'clandenstines' are washed ashore, often dead. Such beautiful surroundings, but bathed in tragedy.

Julien uses no narrative, but on the 3 screens we have just a collage of sound and image. A meditation on migration and hope for a better life?

Elise Godsell

Manifesto: a means of expression

Rail Band, Belle Epoque Vol. 3 - Dioba

2009-11-24T12:26:00.000-08:00

Rail Band, Belle Epoque Vol 3 showcases post-colonial West African musicians celebrating their cultural legacies which featured world music stars to be Salif Keita and Mory Kante. It is a buoyant interplay of percussion, bass, horns, brass, voices and multiple electric guitars that will take you on a journey through the roots of Mandigo heritage.

Rail band presents a selection of tracks recorded between 1970 and 1983 documenting a blend of Congolese Rumba, Latin music and folklore tradition.

This double-cd testifies the stylistic openness of Malian music, one not to be missed.

Manifesto: a means of expression

Johnny Mad Dog by Jean Sauvaire

2009-10-27T10:35:00.000-07:00

Johnny Mad Dog is a brutal film directed by Jean-Stephane Sauvaire. The film depicts a group of soldiers in their early teens and the lives they lead as a gang of freedom fighters in an unnamed African country, their self-proclaimed mission is to unseat the government.

Their country has been plagued by war for many years to the point there its all the young boys have ever known, Johnny Mad Dog and his small commando robs, pillages, and slays everything in his path. In contrast Laokole, pushing her disabled father around in a rickety wheelbarrow, attempting to invent a glorious future, strives to flee her city occupied by teenage-soldier militias, with her little brother Fofo

The performances are incredible Casting boys who actually been soldiers in their past enhances the loss of innocence amongst the young boys and the dramatic reality of civil war.

Johnny Mad Dog is now showing at Curzon Renoir, Brunswick Square, London wc1.

Not to be missed.

Manifesto: a means of expression.

Lyle Owerko photojournalist

2009-10-13T11:40:00.000-07:00

Lyle Owerko is a photojournalist and commercial photographer based in New York City. He travels the world shooting for many NGO's and human rights groups.

His work is an effort to unveil unknown cultures and bridge the gap between human groups. It involves themes related to his profession, such as politics, industrialisation and technology. However, Lyle focuses on the humanistic aspect presentation a different point of view. It could be said his work is a critique to globalisation.
Through a quite critical- evocative- shocking perspective, he stimulates the audience and makes us re-evaluate values and taxonomies.

His work "Africa" is mainly a series of portraits. Lyle was fascinated by the people of East Africa and they were a great source of inspiration for him. His trips in Kenya and the interaction with the inhabitants influenced an unknown aspect of the African culture.
Guided by his passion for photography and his motivation, he tries through his work to contribute for a better living. As he claims, " this is a lifetime commitment for me".

Lyle Owerko has also a blog where he publishes projects, ideas and introduces new artists and their work.

Olia Psarrou

Not to be missed

Manifesto: a means of expression

Manifesto presents Harare, Zimbabwean dance music

2009-10-06T12:25:00.001-07:00

We are pleased to say that our first night back after the summer at Momo’s was one of the best nights to date, there was an amazing vibe within the authentic African setting.

Our second evening brings a special performance by Harare, which is one of the few groups to be playing Zimbabwean dance music in Europe . Formed by two musicians from the heart of Zimbabwean urban music.

Harare formed by Kudashe Matimba – marimba, keys, vocals, Kenny Chitsvatsva - Drumkit, Jules Faibe- Bass and Laurance Corns - Guitar combines different styles from Jit Jive to tradional hypnotic rhythms of mbira(lamellaphone) which reflect the different backgrounds of the people who make up the group. Harare music is also heavily influenced by Afro-Mbira, the genre develop by Thomas Mapfumo.

Led by highly energetic Kudashe Matimba, Harare have the style, momentum and experience to show there is a promising future ahead for Zimbabwean based dance music and for their exciting new songs.

This act is fantastic and will be a tremendously enjoyable evening that should appeal to anyone looking to experience the very best of Zimbabwe music.

Joining them will be resident DJ’s spinning music from a variety of African genres. Alberto Tavares open the evening with his mellow eclectic mix on the decks. Later in the evening DJ Todd Hart hits the turntables with his inimitable, sassy, and sexy spin on dance African style. Manifesto has invited the renowned Mozambique DJ Baga who is very well Know for his sets in Lisbon,Portugal.

Manifesto Acoustic is a concept whereby live music, afro-beats and DJ sessions intertwine. Manifesto team, in collaboration with Momo, one of the hippest, vibrant and eclectic clubs in London, look forward to seeing you.

8 October 2009
7.00pm - late
Starting at 7pm
Performance at 9pm
Free Admission

Manifesto: a means of expression

Manifesto presents Jally Kebba Susso - Manding Sabu

2009-09-15T06:00:00.001-07:00

We are pleased to announce we are starting a new journey in this highly renowned place thats is known as Momo after our time at the exclusive and eclectic Double Club.

The band invited to perform and which is now part of Manifesto’s portfolio, is Jally Kebba Susso - Manding Sabu, a 5 member group that celebrates the GRIOT tradition. They are West African poets and wandering musicians. Popularly known as praise singers and storytellers, this band is keeping an exceptional African tradition alive.

Jally Kebba Susso is a Griot, and the Susso family goes way back in time as they represent a dynasty of traditional oral historians passed through generations. Kyasi Guitarist, Alua Percussion, Karl a bass player and Drea a lover of all things creative is a poet and singer.

Jally Kebba Susso - Manding Sabu ‘s ultimate goal is to “expand the boundaries of the griot tradition whilst keeping its heart and soul intact”.

This will be a tremendously enjoyable evening that should appeal to anyone looking to experience one of the most ‘infectiously danceable forms of music in the world!’

Joining them will be resident DJ’s spinning music from a variety of African genres. Alberto Tavares opens the evening with his mellow eclectic mix on the decks. Later in the evening DJ Todd Hart hits the turntables with his inimitable, sassy, and sexy spin on dance African style. Manifesto has invited the renowned Mozambique DJ Baga who is very well known for his sets in Lisbon, Portugal.

Manifesto Acoustic is a concept whereby live music, afro-beats and DJ sessions intertwine. Manifesto team, in collaboration with Momo, one of the hippest, vibrant and eclectic clubs in London, look forward to seeing you.

24 September 2009
7.00pm - late
Momo

25 Heddon Street, London W1B 4BH
Tube: Oxford Circus or Picadilly
www.momoresto.com
Admission is Free

Manifesto: a means of expression

Oumou Sangare Music from Mali

2009-09-01T09:11:00.000-07:00

Sangare's vibrant electro-acoustics take on infectiously funky Wassoulou sounds of Southern Maliland.

The voice of Oumou Sangare is a extensive and agile, rhythmically emphatic and deeply soulful, her music emanates style and grace.

"Seya" her latest album benefits from fantastic arrangements combining contemporary and traditional instruments in ways that add further nuance to her emotive singing with pungent social commentary.

This is a subtle masterpiece, a journey through roots music/acoustic/Afro-beat that you need to listen.

Not to be missed.

Manifesto: a means of expression

Photography by Pieter Hugo, Nollywood

2009-08-18T09:53:00.000-07:00

Cape Town born Pieter Hugo powerful photographs engages with african people with a sheer determination to unveil, understand and depict Nollywood.

"In Africa, Nollywood movies are a rare instance of self-representation in the mass media.

The continent has a rich tradition of story-telling that has been expressed abundantly through oral and written fiction, but has never been conveyed through the mass media before.

Movies tell stories that appeal to and reflect the lives of its public: stars are local actors; plots confront the viewer with familiar situations of romance, comedy, witchcraft, bribery, prostitution. The narrative is overdramatic, deprived of happy endings, tragic. The aesthetic is loud, violent, excessive; nothing is said, everything is shouted.

In his travels through West Africa, Hugo has been intrigued by this distinct style in constructing a fictional world where everyday and unreal elements intertwine.

By asking a team of actors and assistants to recreate Nollywood myths and symbols as if they were on movie sets, Hugo initiated the creation of a verisimilar reality.

His vision of the film industry’s interpretation of the world results in a gallery of hallucinatory and unsettling images.

The tableaux of the series depict situations clearly surreal but that could be real on a set; furthermore, they are rooted in the local symbolic imaginary. The boundaries between documentary and fiction become very fluid, and we are left wondering whether our perceptions of the real world are indeed real."

Also the series The Hyena & Other Men are not to be missed.

www.pieterhugo.com

Manifesto: a means of expression

Cape Verde Crioulo Colony to Independent Nation

2009-08-11T08:01:00.000-07:00

"The Cape Verde Islands are located off the coast of Senegal, were first settled during the Portuguese Age of Discovery in the fifteenth century. Dr. Richard Lobban outlines Cape Verde’s complex history over five centuries, beginning with its role in the slave trade, the years under Portuguese colonial administration and its protracted armed struggle on the Guinea coast for national independence.

Dr. Lobban offers a rich ethnography of the islands, exploring the diverse heritage of Cape Verdeans who have descended from Africans, Europeans, and Luso-Africans. Looking at economics and politics, Lobban reflects on Cape Verde’s efforts to achieve economic growth and development, analyzing the move from colonialism to state socialism and on to a privatized market economy built around tourism, fishing, small-scale mining, and agricultural production.

He then chronicles Cape Verde’s peaceful transition from one-party rule to elections and political pluralism. He concludes with an overview of the prospects for this tiny oceanic nation on a pathway to development."

Manifesto: a means of expression

How to write about Africa by Binyavanga Wainaina

2009-08-04T08:05:00.000-07:00

Essay

Always use the word 'Africa' or 'Darkness' or 'Safari' in your title. Subtitles may include the words 'Zanzibar', 'Masai', 'Zulu', 'Zambezi', 'Congo', 'Nile', 'Big', 'Sky', 'Shadow', 'Drum', 'Sun' or 'Bygone'. Also useful are words such as 'Guerrillas', 'Timeless', 'Primordial' and 'Tribal'. Note that 'People' means Africans who are not black, while 'The People' means black Africans.

Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress.

In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving. Or it is hot and steamy with very short people who eat primates. Don't get bogged down with precise descriptions. Africa is big: fifty-four countries, 900 million people who are too busy starving and dying and warring and emigrating to read your book. The continent is full of deserts, jungles, highlands, savannahs and many other things, but your reader doesn't care about all that, so keep your descriptions romantic and evocative and unparticular.

Make sure you show how Africans have music and rhythm deep in their souls, and eat things no other humans eat. Do not mention rice and beef and wheat; monkey-brain is an African's cuisine of choice, along with goat, snake, worms and grubs and all manner of game meat. Make sure you show that you are able to eat such food without flinching, and describe how you learn to enjoy it—because you care.

Taboo subjects: ordinary domestic scenes, love between Africans (unless a death is involved), references to African writers or intellectuals, mention of school-going children who are not suffering from yaws or Ebola fever or female genital mutilation.

Throughout the book, adopt a sotto voice, in conspiracy with the reader, and a sad I-expected-so-much tone. Establish early on that your liberalism is impeccable, and mention near the beginning how much you love Africa, how you fell in love with the place and can't live without her. Africa is the only continent you can love—take advantage of this. If you are a man, thrust yourself into her warm virgin forests. If you are a woman, treat Africa as a man who wears a bush jacket and disappears off into the sunset. Africa is to be pitied, worshipped or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.

Your African characters may include naked warriors, loyal servants, diviners and seers, ancient wise men living in hermitic splendour. Or corrupt politicians, inept polygamous travel-guides, and prostitutes you have slept with. The Loyal Servant always behaves like a seven-year-old and needs a firm hand; he is scared of snakes, good with children, and always involving you in his complex domestic dramas. The Ancient Wise Man always comes from a noble tribe (not the money-grubbing tribes like the Gikuyu, the Igbo or the Shona). He has rheumy eyes and is close to the Earth. The Modern African is a fat man who steals and works in the visa office, refusing to give work permits to qualified Westerners who really care about Africa. He is an enemy of development, always using his government job to make it difficult for pragmatic and good-hearted expats to set up NGOs or Legal Conservation Areas. Or he is an Oxford-educated intellectual turned serial-killing politician in a Savile Row suit. He is a cannibal who likes Cristal champagne, and his mother is a rich witch-doctor who really runs the country.

Among your characters you must always include The Starving African, who wanders the refugee camp nearly naked, and waits for the benevolence of the West. Her children have flies on their eyelids and pot bellies, and her breasts are flat and empty. She must look utterly helpless. She can have no past, no history; such diversions ruin the dramatic moment. Moans are good. She must never say anything about herself in the dialogue except to speak of her (unspeakable) suffering. Also be sure to include a warm and motherly woman who has a rolling laugh and who is concerned for your well-being. Just call her Mama. Her children are all delinquent. These characters should buzz around your main hero, making him look good. Your hero can teach them, bathe them, feed them; he carries lots of babies and has seen Death. Your hero is you (if reportage), or a beautiful, tragic international celebrity/aristocrat who now cares for animals (if fiction).

Bad Western characters may include children of Tory cabinet ministers, Afrikaners, employees of the World Bank. When talking about exploitation by foreigners mention the Chinese and Indian traders. Blame the West for Africa's situation. But do not be too specific.

Broad brushstrokes throughout are good. Avoid having the African characters laugh, or struggle to educate their kids, or just make do in mundane circumstances. Have them illuminate something about Europe or America in Africa. African characters should be colourful, exotic, larger than life—but empty inside, with no dialogue, no conflicts or resolutions in their stories, no depth or quirks to confuse the cause.

Describe, in detail, naked breasts (young, old, conservative, recently raped, big, small) or mutilated genitals, or enhanced genitals. Or any kind of genitals. And dead bodies. Or, better, naked dead bodies. And especially rotting naked dead bodies. Remember, any work you submit in which people look filthy and miserable will be referred to as the 'real Africa', and you want that on your dust jacket. Do not feel queasy about this: you are trying to help them to get aid from the West. The biggest taboo in writing about Africa is to describe or show dead or suffering white people.

Animals, on the other hand, must be treated as well rounded, complex characters. They speak (or grunt while tossing their manes proudly) and have names, ambitions and desires. They also have family values: see how lions teach their children? Elephants are caring, and are good feminists or dignified patriarchs. So are gorillas. Never, ever say anything negative about an elephant or a gorilla. Elephants may attack people's property, destroy their crops, and even kill them. Always take the side of the elephant. Big cats have public-school accents. Hyenas are fair game and have vaguely Middle Eastern accents. Any short Africans who live in the jungle or desert may be portrayed with good humour (unless they are in conflict with an elephant or chimpanzee or gorilla, in which case they are pure evil).

After celebrity activists and aid workers, conservationists are Africa's most important people. Do not offend them. You need them to invite you to their 30,000-acre game ranch or 'conservation area', and this is the only way you will get to interview the celebrity activist. Often a book cover with a heroic-looking conservationist on it works magic for sales. Anybody white, tanned and wearing khaki who once had a pet antelope or a farm is a conservationist, one who is preserving Africa's rich heritage. When interviewing him or her, do not ask how much funding they have; do not ask how much money they make off their game. Never ask how much they pay their employees.

Readers will be put off if you don't mention the light in Africa. And sunsets, the African sunset is a must. It is always big and red. There is always a big sky. Wide empty spaces and game are critical—Africa is the Land of Wide Empty Spaces. When writing about the plight of flora and fauna, make sure you mention that Africa is overpopulated. When your main character is in a desert or jungle living with indigenous peoples (anybody short) it is okay to mention that Africa has been severely depopulated by Aids and War (use caps).

You'll also need a nightclub called Tropicana, where mercenaries, evil nouveau riche Africans and prostitutes and guerrillas and expats hang out. Always end your book with Nelson Mandela saying something about rainbows or renaissances. Because you care.

Binyavanga Wainaina lives in Nairobi, Kenya. He is the founding editor of the literary magazine Kwani? and won the Caine Prize for African Writing in 2002.

This is a fantastic piece of writing , showing us how popular culture and media often generalise about this beautiful Continent, Africa.

Manifesto: a means of expression

The Whistler - A novel from Angola by Ondjaki

2009-07-28T06:28:00.000-07:00

“One October morning, while it is raining, a young man arrives at a small African village, with a church on one side and a smiling baobab tree on the other. He enters the church and starts whistling. The sound is so beautiful, that the priest is left in tears and the doves listen in absolute silence. And there are the people of the village, like the madman KaLua, the old widow Dona Rebenta in her large wooden bed, the gravedigger KoTimbalo, KeMunuMunu, the travelling salesman and Dissoxi, who fills her house with sea salt and longs for the ocean.

For a whole week the reader accompanies these characters, their dreams and their longings, the village’s whisperings and gossiping.
All are surrendered to the moods of these melodies. But the whistler himself is affected by the inhabitants of the village. His melodies can rouse happy or sad feelings. The priest announces that the following Sunday mass will be held with the whistler. On the Sunday he bewitches the priest and the people in the church to such an extent,that they fall in a state of trance and unimagined sensuality and zest for life. The mass is followed by an orgiastic celebration. On Monday the whistler and KeMunuMunu leave the village and the reader likewise bids his wistful farewell to a bewitching world.”

The Whistler is fascinating book by young Angolan author Ondjaki. He has published several novels and poetry books and is translated in several languages.
Ondjaki has recently been awarded with the Grinzane for Africa Award, in category of young writer. He has also made a documentary about his hometown Luanda “Hope the pitanga cherries grow - tales of Luanda”.

By Vania Mendes

Manifesto: a means of expression

Eileen Perrier, photographer

2009-07-21T11:38:00.000-07:00

This work is a vibrant and gutsy African mastery that i would like to share with you.

"My work has drawn upon the long tradition of African portraiture since my first visit to Ghana in 1996. My objective was to communicate a less preconceived impression of what it is to be a person of African descent. Colour Photography was my gateway into showing a vibrancy and realness not readily found in the media's reportage, black and white imagery at this time."

"Coming from a mixed cultural background of Ghanaian and Dominican descent and this has presented me with questions about, placement, cultural identity and diversity."

Eileen Perrier will be showing is work at the Whitechapel Gallery from the 4th of August till 20th of September.

77-82

Whitechapel High st

London

E1 7QX

Not to be missed

Manifesto: a means expression

Cape Verde World Heritage Site

2009-07-14T12:39:00.000-07:00

Cidade Velha becomes Cape Verde's first World Heritage Site,Cidade Velha has been inscribed on UNESCO's World Heritage List, marking Cape Verde's entry to the international community's inventory of properties of outstanding universal value.

Cidade Velha is Portuguese for "old city", or simply Sidadi in Cape Verdean Creole, is a city located 15 km from Praia (Cape Verde's capital) on Santiago. It is the oldest settlement in Cape Verde and used to serve as the capital of Cape Verde. Once called Ribeira Grande, its name was changed to Cidade Velha so to avoid confusion with another Ribeira Grande on another island.

On the desert plateau, 100 metres above, is the Portuguese “Fort Real de Sao Filipe” dating from 1590. This building was in excellent condition having been restored in 1999 with Spanish help.

Cidade Velha has the oldest colonial church in the world, constructed in 1495.Cidade Velha's port was a stopping place for two great navigators: Vasco of Gama, in 1497, on his way to India, and Christopher Columbus, in 1498, while on his third voyage to the Americas.

Manifesto: a means of expression

Karoo Moose by Lara Foot Newton

2009-07-06T17:03:00.000-07:00

Theatre.

In a remote and impoverished village in the Karoo, a young girl, Thozama, struggles to survive. A violent, terrifying incident and a chance encounter with an escaped moose change her life for ever. A story of pain, redemption and hope.

This is a vibrant and physical African mastery of storytelling and a sense of harsh but benevolent humour with plenty of singing, dancing and drumming. It delivers a strong flavour of South Africa…Six actors, bristling with versatility, play all the parts telling and acting their story.

Winner of 14 top South African Awards including:

Best New South African Play

Best Production

South Africa’s Naledi Theatre Awards

At The Tricycle until 11 Jul 09,

269 Kilburn High Road, London NW 6 7JR

Not to be missed.

Manifesto: a means of expression

Abraao Vicente Photography from Cabo Verde

2009-06-17T08:58:00.000-07:00

Abraao Vincent: Cabo Verde Rituais (Cape Verde Rituals)

Abraao Vincent is a local photographer and fine artist from Cape Verde, I would like to share with you his beautiful images.

He has the ability to capture the true essence of the culture, beauty of the people and amazing contrasts of the land and sea. Abraao is also a regular columnist in A Nacao a well known independent journal in Cape Verde and Radio host on Programa 180 degrees in Cape Verde.

Please take a look at the rest of these images on his blog and also his fine art.
www.abraaovicentephotos.blogspot.com
www.abraaovicenti.blogspot.com

Manifesto: a means of expression

Manifesto Night Out

2009-06-17T07:21:00.000-07:00

Hi everyone,
Here is a video for you all to experience a taste of what Manifesto has to offer. The people, music and the delicious food we have on these nights. Come see for yourself!

Manifesto: a means of expression

Manifesto presents Mosi Conde & Kaira Kora Africa

2009-06-12T06:00:00.000-07:00

Mosi Conde & Kaira Kora Africa are making their mark on the vibrant music scene in London and beyond, delighting both aficionados of African music and those who come from other grooves with their fresh vibes, good traditional music,with a London Twist.

MOSI CONDE is a young griot from Guinea Conakry's leading family: Sekouba 'Diamond fingers' Diabate is his uncle and his family are the inspiration for extented family and friends from Mory Kante to Salif Keita. As a soloist Mosi has played at WOMAD, for NELSON MANDELA and at numerous festivals.

KAIRA KORA AFRICA gather the crowds and make them dance, sing and enjot themselves. "They are stupendous! I never expected to find such good music in London", 'Killer Tracks' recently commented. Kaira Kora Africa led my Mosi Conde play Mosi's own irresistibly danceable compositions from his strong traditional background with urban city flavour.

This will be a tremendously enjoyable evening taht should appeal to anyone looking to experience one of the most'infectiosly danceable forms of music in the world!'

Joining them will be resident DJ's spinning music from a variety of African genres. Alberto Tavares opens the evening with his mellow eclectic mix on the decks. Later in the evening DJ Todd Hart hits the turntables with his inimitable, sassy and sexy spin on dance African style.

Manifesto Acoustic is a concept whereby live music, Afro-beats and DJ sessions intertwine. Manifesto team in collaboration with the Double Club, one of the hippest, vibrant and eclectic clubs in London, look forward to seeing you.

Manifesto: a means of expression

Tajudeen Abdul Raheem: a giant is lost on African Liberation Day

2009-06-08T08:09:00.000-07:00

In Memoriam: Tajudeen Abdul-Raheem, 1961-2009
The 25th of May was Africa Liberation Day. What a day to learn of the terrible news that one of the leading proponents of Africa’s liberation – Dr. Tajudeen Abdul Raheem - should be so tragically lost in a senseless car accident in Nairobi.

Tajudeen led Justice Africa’s work with the African Union since its early days. He combined this with his role as General Secretary of the Pan-African Movement, chairperson of the Centre for Democracy and Development, the Pan-African Development Education and Advocacy Programme, and was a fighter in the struggle to get the UN’s Millennium Development Campaign to support meaningful programmes. There was hardly a pan African initiative that took place without Tajudeen’s inimitable presence, support, humour and perceptive political perspectives. It remains a mystery to us how he managed to combine all of this with writing his weekly ‘Pan African Postcard’ that were published regularly in Pambazuka News and in several newspapers including The Monitor (Uganda), Weekly Trust (Nigeria), The African (Tanzania), Nairobi Star (Kenya) and the Weekly Herald (Zimbabwe). You could always rely on Tajudeen to draw our attention to the most significant aspects of the latest political event in Africa - just as you could rely on him to provide guidance and encouragement during hard times, restoring in us the courage for the longer struggles ahead for emancipation of the continent.

Tajudeen’s departure leaves a massive hole in all our lives. But if his life is to mean anything, we must follow his voice in the signature line of his every email – ‘Don’t agonise, Organise!’

Pambazuka News

http://www.pambazuka.org/en/

Manifesto: a means of expression

Chioma and Oluchi Ogwuegbu's journey across Africa!

2009-06-03T05:27:00.000-07:00

The adventure, dubbed ‘Celebrate Africa’ started with Chioma’s dream to travel across the globe, which later became a dream to travel across Africa to show Africans and the world the positive things in Africa. She believed that this would be more purposeful and her drive and determination rubbed off on her younger sister, Oluchi who joined her on this once in a lifetime adventure.

They have been travelling by road since July 2008 and will continue until November 2009 throughout West Africa, and documenting their experiences with photos and articles on their website, www.celebrateafrica.net

The pair has been to Ghana, Burkina Faso, Gambia, Mali, Senegal, Guinea Bissau, Cameroun, Cote d’Ivoire, Guinea, and Sierra Leone to showcase its unique and positive side to the world. Their odyssey is being blogged online at www.Celebrate Africa.net with tons of pictures. What a rare, spunky and ambitious journey by these young Nigerian women. Let us support them in whatever way we can.

Manifesto: a means of expression

Portraits from Africa

2009-05-26T09:34:00.000-07:00

Pictures of reclusive tribesmen in remote African hideaways.

Jonh Kenny, who took up photography when he started snapping shoppers in Portobello Road, west London tracked down members of the most isolated rural communities on the continent and persuaded them to pose for a series of striking portrait shots.

The Images capture their traditions dress, piercings, facial scarring and they nomad way of living.

Jonh Kenny is showing is work at the 3 Bedfordbury Gallery in Covent Garden,central London,
until Saturday.

Not to be missed

Manifesto: a means of expression

Manifesto presents ZongZing All Stars

2009-05-22T10:50:00.000-07:00

Bridging the Atlantic, from Congo to London

Manifesto is bringing a 8-piece band featuring top Congolese musicians to perform at The Double Club on Thursday 4th June 2009. The band - ZongZing All Stars - have been exploring and nurturing the ‘Soukous’ music from The Democratic Republic of Congo throughout the UK and further afield for the past years, they have played many venues and festivals, never failing to get audiences up and dancing to their spiritually uplifting sound.

ZongZing All Stars music is colourful and joyous and combines intricate guitar picking with a raw harmony singing style. The exciting interplay between the musicians epitomizes what great live music is all about. Band members are Fiston Lusambo on Lead and Mi Lead guitar, Ladi Mbala on Rhythmic Guitar, Declo on Bass, and Burkina faso on Lead Guitar and Mi Lead Guitar, Aimee Bongongo Vocal, Gianni Calugi on Vocals, Saidi Kanda on Conga and Gires on Drumers.

This will be a tremendously enjoyable evening that should appeal to African music devotees and also an entirely new audience looking to experience one of the most ‘infectiously danceable forms of music in the world!’

Manifesto Acoustic is a concept whereby live music, afro-beats and DJ sessions intertwine.

Manifesto: a means of expression

ADAD THE BLOOM FESTIVAL OF DANCE OF THE AFRICAN DIASPORA

2009-05-20T12:32:00.000-07:00

Presented by the association of Dance of the African Diaspora, this festival sees dance of the African Diaspora springing up all over Southbank Centre during two days of performances, workshops, film and talks.

Free events include a Kizomba Jam on Saturday 6 June and a Caribbean dance masterclass on Sunday 7 June, both in The Clore Ballroom at Royal Festival Hall.

The highlight is an exciting mixed bill including works from up-and-coming black choreographers, dancers and companies including Freddie Opuku-Addaie, Mohammed Dordoh, Vocab Dance, Tolo Kolo, Imani Jendai and Avant-Garde Dance.

Not to be missed.

Manifesto : a means of expression.

Viviane Sassen, photographer

2009-05-12T08:35:00.000-07:00

"I was really taken with Amsterdam-based photographer Viviane Saasen and i would like to share with you her work.

Her photographs, taken in Uganda, Zambia, Kenya and Tanzania, tease fashion conventions but with really witty and unexpected results, partly because her subjects are all young Africans who seem to have enjoyed collaborating with her.

She tends to treat the body as a sculptural element- a malleable shape that combines blocks of shadow and bright colours in arrangements that sometimes read like cut-paper collages, bold and abstract but full of vibrant life".

Manifesto: a means of expression

MANIFESTO presents MANDIGU SUBU

2009-04-28T11:02:00.000-07:00

Mandigu Subu-Traditional music from Gambia

On the 7th May 2009, from 6pm till late , Manifesto will be at The Double Club once again. Alberto Tavares and his team want to bring you a little taste of traditional Africa.

The night will be powerful and filled with great rhythms.

The Band invited to perform and wich is now part of Manifesto's portfolio, is Mandigu Sabu,

a 6-member group that celebrates the Griot tradition. They are West African poets and wandering musicians. Popularly know as praise singers and storytellers, this band is keeping an exceptional African tradition Alive.

Jally Kebba Susso is a Griot and the Susso family goes way back in time as they represent a dynasty of traditional oral historians passed through generations. Kyasi guitarist, singer, songwriter,has played music for 10 years now. Jon Speedy is professional guitarist. Barbacarr Dieng is a singer and percussionist from Senegal. Silver Guy is a bass player.

Ife Painki, a lover of all things creative is a poet, dancer and singer.

This will be a cultually rich night out. Mandigu Sabu's ultimate goal is to "expand the boundaries of the Griot tradition whilst keeping its heart and soul intact" Manifesto Acoustic is a concept whereby live music, afro-beats and DJ sessions interwine.

Manifesto:a means of expression

The Hero Film Review

2009-04-14T15:39:00.000-07:00

Directed by Zeze Gamboa, this tale of emotional prosperity out of physical and social hardship is an impressive sample of what I hope is to come from Angolian cinema.

Set in post-war Angola, o Heroi follows the return of Victorio, a decorated war veteran. Having lost his leg to a land mine, Victorio returns to the city of Luanda in an attempt to find work and shelter. Proudly wearing his medal, his attempts to find employment are fruitless. Soon it becomes apparent that Victorio has now been shunned by the society he once fought for.

Beautifully intertwined are the stories of two other characters, the attractive yet naive schoolteacher Joana and the young, troubled street kid Manu.

Gratefully, untouched by the likes of Hollywood CGI action sequences or saccharine-sweet romantic interludes, this film is a rough diamond. A plot devoid of polish means that the actors are allowed to concentrate soley on the heart-felt portrayal of their characters.

The realism and no-holds barred attitude towards bringing the impact of the savageries of war upon society is what makes the film so striking.

By Fly Global Music & Culture

Manifesto Film Festival

2009-04-14T15:24:00.000-07:00

Film festivals are notorious for artsy, occasionally pretentious audiences indulging in the most avant-garde and often abstract of the film world.

Not this time. This film festival boasts authenticity, grit and spirit. Led by Alberto Tavares, the man behind the Manifesto movement, it promises to indulge the senses and challenge a spectrum of emotions through the story-telling of two films. Both features representing the Portuguese speaking African nations or "P.A.L.O.P." as they have been coined. The festival showcases two films entwined with the Manifesto movement and its dedication to bringing cherished recognition of these nations. As well as being a platform for up-and-coming African artists it also boasts opportunities for those who choose her as their muse.

Firstly, the critically acclaimed and award-winning, The Hero. Set in post-war Angola, the film follows the return home of Victorio, a civil war veteran. It promises to poigantly demonstrate the tragic consequences of civil war upon society and the impact of its aftermath of individuals. Within this story are carefully weaved the tales of three other characters and the cost of war upon their lives.

The second feature is a feature documentary entitled The Journey of Cape Verde. Portrayed through the eyes of a young boy it follows his passage to uncovering his identity as a true Cape Verdean. Filmed in four years it accompanies him on his journeys and delves into Cape Verde's rich history.

The festival spans over three day, claiming to be a realistic protrayal of this often, all too easily overlooked genre.

In an intimate setting, the films will be shown along with commentary from members of Manifesto.

By Christina Warner

"Voodoo" - Big Idea in a Little Space

2009-04-14T10:58:00.000-07:00

“Voodoo”- Big Idea in a Little Space Hidden behind an antique storefront, and easy to miss when walking down bustling Beak Street in Soho, the Riflemaker Gallery is currently housing an exhibition entitled “Voodoo: Hoochie Coochie and the Creative Spirit.”

Made up of a collection of paintings, sculptures, photographs, literature, and more from both the past and present, “Voodoo” tries to further explain and interpret the religion of Voodoo as well as, according to the catalogue, “look at the mystery of the creative act.” The combination of art tries to express the feeling and vibe of voodoo through one’s experience, rather than spelling it out word for word (although there is a fair amount of information scattered on placards throughout the exhibition).

Upon entering the small gallery, one must be wary of possible traffic jams; the small room has artwork beginning right past the doorway, as well as in the middle of the floor, so making your way around the room can be a bit of an obstacle course. The room’s creaky, worn wood floors add to the ‘attic full of treasures’ feel of the exhibition, and the pieces in the room range from the Wishing Machine, a replica of the original William Burroughs piece, where one can make a deposit and send voodoo to someone (one pound for good voodoo, two pounds for bad), as well as various sculptures and paintings that adorn the walls. The most striking piece in this room though, is Mati Klarwein’s 1963-65 Crucifixion, a triptych that seems to blend a tree of life with the Kama-sutra and Bosch’s Garden of Earthly Delights.The downstairs (the exhibition covers the first three floors of the small gallery) has some fantastic old photography that include images of Voodoo rituals, although one must be warned of the stench coming from Marina Warner’s Bed of Time, an installation of melting, burning wax.

The top floor was by far my favourite, an eerie, childlike room filled with objects and sculptures most would find in a nightmare. A grim-reaper looking figure walks a puppet in the corner as a massive sculpture made entirely of hair greets you as you enter. Two faceless child mannequins that stare out the old paned windows are among the other items that haunt the dimly lit room. Music creaks through the air, adding to the scary feeling that one of the sculptures may just jump out at you if you don’t watch your back. The Riflemaker Gallery is quite a small space to attempt to explain the art of Voodoo and the creative drive in one go, however they do a fairly good job at giving people a taste of the spirit of both.

Rachel Karasik

The Fortunate Isles - A Study in African Transformation

2009-04-11T06:06:00.001-07:00

This is a amazing book about Cape Verde that speaks of the roots & heritage of what forms this nation. With an insight into the life of one of the great leaders of the African Revolution, Amilcar Cabral. "A vivid, first hand description of how the Cape Verde Islands fared before and after freeing themselves from colonial rule. "

Welcome

2009-04-11T05:28:00.000-07:00

Welcome to the Manifesto Blog. We will provide reviews, news and information on African music, art, literature, culture and events.

What is Manifesto?

"Manifesto was founded in 2005 by Alberto Tavares, with a bright and ambitious concept to bring a small piece of Africa to London through Film, Art, Music & Culture. Manifesto Events and Film Festival offer an opportunity to introduce the true wealth of African culture and increase visibility of emerging African artists. Manifesto offers this genuine point of difference by specializing in African sounds and furthermore, PALOP (African countries that speak Portuguese) to each and every event. With an African music policy, the deep origins of post colonization beats and sounds are entwined with a contemporary feel of modern African artists."